Brut Pareidolia
Jim Leftwich 2021
Titles of Blogposts at Jim Leftwich, Visual Poems, 2021
1 sh dre Ozi 11.03.2021
2 eCoo es ozi 11.03.2021
3 wootio rm ozi 11.03.2021
a moveable f east, with garlic 11.03.2021
A poem is energy 11.05.2021
Apr hom comf 10.29.2021
a walk in the park 11.03.2021
aeolian poetics 10.01.2021
alphabetical affinities 11.04.2021
anti antithesis thesis 11.04.2021
bag texts 10.14.2021
bottlecap stampdance 11.03.2021
Brut Pareidolia 11.04.2021
by which one proposes to express—verbally, by means of the written word, or in any other manner—the actual functioning of thought. 11.04.2021 chew nome OLLE and see 10.02.2021 cleaning tower 10.02.2021
conception perception 11.07.2021
deception perception 11.07.2021 destabilized handwriting 10.19.2021
door of perception 2, 09.27.2021
door of perception 10.18.2021
drafts for a wobbling virtine 11.03.2021
early evening sunlight through blinds
and sllowly running fan 10.14.2021
elective ellipses 11.04.2021 elllldoull bgent 11.03.2021 emprientes 10.14.2021
enigma magnet 11.04.2021
et to S Fa 10.18.2021
everything is a text 11.04.2021 exception perception 11.07.2021 exit, perused by a bear 11.03.2021 fan without dance 11.03.2021
‘7
‘ey
Cote ee
— —~— --— ><a ne
|
| i | i I |
. oe @ « Se osem @ eco ---« "++ 2s =ee
a se -e- PSPS ste ee -
eer ee . 28S wag ween 018110 @ eore - ~- > 8202 @ bse on — © oom Se.
-S-Sceeee@asecea, - + Boece Oe a @0e ve - Sr Seee, +? Seem se oo. ese “ere. 2& om — Se See@. seco _— *® & ee
=2@> ecm se 278 S208 & coe
= -2e
se . er) oe .
oa
MF "ete Soh 2 see, Sg ee °2@ ce ° . oe Stem «Bp %ee oe
i fie
‘o-*
ad 7m.
‘'2 mm «<sae sa -- tae me Ota mm dtu
-* LL. <<
_-—<
cm 7 to <—- een - aan
. ree -° ie on ne
- ‘—- - ee °° 002
oom « " fee “7
7? ~~ teen * @eec COD 1PM Om Mm we 7. ’ 77 (ttm @ tea:
+118 & dtu ove o"* tte een COB mem =. ‘ee (‘Salt & sesanaq tm ate manta -_ sta oF 1th = een an stan *2ecom ae eo
i an
1? @ fen ae 0 ae;
"CGO a meee & “seca
“* 400m pee +m
eee or “=e t= --*
~ © we -
=? am #6 . tm
See 2h ttm a tts
"We — me ttm = “ea e@ « ote 7 tte — cae ~- eige
- <2 =Posse rt2
t= & «2 [ ©
fe ctem a we (17 orl = Li "oem @ ee
“tne CCC = °°@ we « + 22 ate a "28 «se “Zt a
= S2F Sete & woe
2 wee, Cn” — son
e 7" wae,
“°° 2 2S a> see - 7? 200m a eer ene wre
ore
2 & eenen. "2 — "eee 4 ates “" @e
(orm @8 6118 ae 206 te
ws wre e mm oc ee cece =
%.. “S5 Oe @ 888 we 7 = 8 Be aw woe on
“ome - rm x
Cadel 2 O'a@ a FOR pm
* ae oF SSO e ee y ° Le arate Pg, OM +e OL OPAL tap sz ee | “eer
F hha , ge
C4 r *
omerge
> te Ain dela ne wae 4 beng ore 4
oi F£ Des gabe
i te OCP ROT © ep mr»
“- emma « (‘ta we Ole == ee ta
' Min Oe? @ -_
“7°28 @
al Cllm mam tem = =
. "(590m mm seme o "Otte am « "= wane «
‘emt @
dua \l\@ am @fe tg" OCC mm & ae
OO Clim aH “ea te
On atta — a6 mim P SOe SH witm 7 Otte
Sta ( -wte
-«- 7 CO atm x me (OIG te CCM am tse, “8 O11 am tem ”
7°" 711m a te
"1°" C10@ mm tem ~ O0lm@ am «
"O° Oe om tee oe =
"CVG = teen 7a
ett
7 @ “om 712 © ate a eon
7 Otte am « “= “wee F e @ “7 ei@iti@wa Cla a=: "*@# aa @iae Cl mr: . ‘" “@ tea on «
‘7 Pate & . ‘* 2 te *-
+. = *
"See meeweEt
roe’ ~~
, > mya ot a i, . perth gun
. ‘\ ww ; RE ye s ee WA OS . ‘ E'Site “ ry i
AAR SSE RS “AS . SS AANA LN “ 3 ws) *" . : : "ie s+ : he . ; seuee ’ . AS ‘ mS * . “a ON ~ ; —_ eve & eee SbF ie 6 ~S ~ ‘SA * . Was MACE EL Le — 6 8 Om ‘ “ NX \ ~S “RAY Ww \ SA Vy 448 ee Tt Te ity di \: ASS ; ».* MA’ W \ be ‘\ ¥ RS TA Gaia te oh 4 Tuk Ft Al wee Moe ; . : oN Ra. . tees , *" a4 g* 4 LRN ES SOAS SS \Y SANS ; . ‘. SAS Sa CROERENSR SER Ore feER See see ; At ~ aS ee SS Vv . + % WANA \., v yeen BS va TRE WORE ye og SP Ra SOF Le Sy as Ss \ . 7 . 4 . 4 . ~ . % : ey ~ . . ce im at setae iis be aS S . : x \ eiunese O88 Bee 168 Beers & seaeee wie WATE “SW ADRAMARYE SARA SEEMS Aanass SSSSa gs WE A Vues We - _ > AS AMY 8 BAN AE Abe ‘SBE SE ese se apm ~ : > SNS NY x. $ RVC a x SS A Y \ ‘A Ne Cn OS On OE “ Sa We CY SSS BE BLE BRAN GG SOG) Bie Se bite me ete 46 ris ‘ , . : > ~ ae . mS WAN iA a, yA YA QS as % Th cs Ys \S SS Sa Sah Ae +A : iia ta TL > WAAAY DA LSA. ~A Wis) WA WAA. SAO SAD
SRS RGELE S. SS RRA RE REE SORE eS ate
. QP Ores renters & SSSR an SO SRA ERA aks GER EEN a Sete ns STEPS ae ie = <— . ~~ * x — MSs Nwad mS x s ave we tse & see **S ete see
SRDS BBR RB Ge AS CES EE REE Ete Ee de ele tS Fee, st SRST SERRE GEG Oe Weegee anes geen eens ree Geers sen torte :
@ BOGe teium . 8 GUS = ttm we « “ “SOR So EARS Be oe etete a wele = SSS® An WMP BVAVW Ba. WE ENS Seseee sper “ae ‘ee ene — ctece ays ’
aS ~~ 5 \ ee re ee. see SOGt cm:
™ eee te aus ate SOG cesece ase a SS = eee ‘
Se SS
ss oe a, ~~
WRA h Se SIRS Ss SE SESNE | tre oe a S186 om Gee cu eae eaten we
ar te EL oer e ‘ ‘ ° sé (#22 AS ea a Lesh iG Lt Oe TrT Tr : oP iaeg P wae Wa Week wee atete @ se 4482 MOBS Um 444646 we MSO SRT tee se seer cs St nee se sews | © sire ¢<* =~ : : ; BS GE S&S BLE GS BEB ets aa acis = SEB « , , ee ; SISA GS S.A RRA as Ba,
* - 7" <2 = fee =e -“- se oe OLS OS see ‘eos = see Sere. a eT " . we ws
=Ge mee. ate oetu . —.. . -_ S888 Been ce .. Re CCR Otte & = Sta- eo. = ~Sse> @ Otome ee VSe® sy et ae
“+ - —— «= : “+ ee eh ee | nn —_- -_—<« S . . - ~ = - . . ee «= o* «
K = So wes “- . - “eee « —
~ ~ ~~ “ , SSS SS WA ues WWW Ss a : : = ik | > - _ + i. . © _
SL See,
RW Oih Sen ain chee = Wwe Gees ew tel ee ee a . ——— a _
- <2 - , \ Pi i ~ <—~ ~ —— tend ~ Fm,
-—_.
s’1ie =
2i1LA@ Ve mil) wl
EY |
ere am
‘ese @
‘sie a Sit a (|
ae
ae ae a. 1 = ~
= ‘Ft =o |
eee
-_—- +> * ‘ .~ s**t = stain = > see ee Bae wee
™:
7" - s * “S =
st &@& = . ~
—_ aaa Le) ae ee ae ww. 7a ec< “a “MS St BWM ists Shae =X em ae Qeesieeinn _sh a ek i ee ie 2. ee iWeaeaaa i ‘se “4S & Uda - TAS om aga Wy * Sac] ot SOR tt ata Sic €8G'8@ ase .at O
at Whe
Hi a 8 ae
; [ye -_ €820°8e@ bp A Reng Ae fea ee @
A ‘70 ** ea ae @ 2640'S 466068 e+e oe
nr Ss Fee ae ae eS
sa «e sca : » «f se ee = cee ae eo
.?
ss = oe ae Fe [= «=
"S182 Ove @& eeace « eg iT? oe 1) oe hoe? i i TT
seca eee 7 ‘eet @@ i. oe 2 \ii meli e T ers Fs e7a ce
e, 9°,9" “{@, ge. oom = e
22 at@: ete oe 7¢, ow o 149 %,7 °/!,.9 e. 9 “_; «+ nee eee! MO ea oe © aoe wee
"wea ; (eR One wm ease: a SOG, 1494 faa Ae Gee a —. ee pla ae 72 a @:e@e8 "eee wee 1a Gee @ & 440 +@ cee ‘ ‘ ee ea, i ae ed ke 8°, ee, ¢° = = o9e, 2°. 2 4
wae 2 ow Sen ee «ta: "628 20 arm Ste as ties @
19%. 4" 2 +7 *,7 "5? “«s 1? "sf “7° _ Tew ee = - » Atal =. “Stew = oe ae
@€8eea@ 8 tra c:\@ @ teawe s 12 28, FV tag AC BS Bt ae a PL oF OF Bete ef oe . ae ca -eecea 202 @©2G0t'S @ ataevea sen
=e : & Sette we tte ae. ae ald ¥ eek we eee See SEW Rt 1 an ee) ee te) ae aA 84227 Si",
ET? Sees qranweis = sees ates
,2ee8 DRe. EF BITS?
© ie 4iie — £28 £8
:
_
a ‘
ta@
= =
_ ==
7 €
= as
reae
ere 2s 7 eat = ata CS 2201/8 ae 248 te ete
'* S02 tie @ ete an sia
ete Se site @@ tee ee @ig - ~ - i
» £535 SF 4452 ;
e« « 7 & an ae ee “°° @#@e5 @186:¢68 Lil TT = 7
2288 72 418 @ tte ae Stee
Ali e BITE?
Sse gt a ’ 228 218 OO CNG m@ ass 8 ese
AS SSS 2 ae ge °(2 G0 61a @ 688 ae ah, ‘S S747 © ise gy 53%,
“ite @ LAL iT i Iie T | Jalil] © | 148 @e gee
"018 @ ieee s “OO Bae ae aig:
e7as = ee
‘= sa
e a
=
eos st Fy
oe
"et? @£ &
ee
« Ae.
"OR Matsa sé
« Ani +e aa esa;
ia we "42 Miigaua ia
a
At = Ff Sita ii =
‘ata eee =78@'@6 Gi'@
‘te $5 2ees ‘Pee 28 settee --=
se ©0 @Meeeere eo one Ff &
s* -
.
i ee en ee ee
©@ 66@00@ @ 406 06@ @ *e Gee @& © 6@ o6
oo * Se eee & e+e
ek ee) a ty) ee A A er C8 Oe 69888 See ‘e ete a@@ 668 @e .
ie e ce See St 0 IGE ENE Me E48
TA BU Ae are
“é
& ‘
Zz
Tit Lai
- - ie eee "(2 @eviie a= asen
rf ‘ale
"a
. .
.
~ @
a
NP “S
See a
,aruge a= ae 4ii@ om
ae ofa
;
; (@@ai ea)
“ns - i Le oo
ete ae
(‘ae @atiia
‘pn
‘
787
Sie
‘Mii*h iia = ia
At ETT Mttwwe
Ae Glia an
" o/im mis O\lM mae
<3
ee @.8 ae es
eae es see @e
= ere ee Ge -_ - _
. *
Ptr
ee ee ee
ea 3a“ Fe | a) he eb
488 @e "(9 S0éGite @ tte ee Gig
er Sta
|
4a Stee, See w:,;
wie 7 Fly Ti My, § 48 86,
ee? @e «oom «& a 7
. ee fee
.
2
‘. ™ sent oe
—_ tee =
=r eee @06 esse st of °, 7 “nF? *, reons ing =
| ea Al ee @& @ Gtia
’ ae =a: ' |e
19 @ ese,
weve
“2 76 7
v@er:/ieeiiae
sr
ee eile
28 e:0e@ Ff Sita
AT aiie,
@i@iiee site ' / 8 alia
‘eriesesig ‘*ee 8 | es 7 6 '@ @eé
‘es @e
ve a An ae ae S «@ ef aes Cit Tr Ty }
/ ii oe |
ges: "2 ‘2 ai@a 20@i' @te
.
| ete
ae mam)
Liat @ re ete aw se = Le. 4a j
7eae @bee : a 2 7
Ae oe | ,
=
‘te @
TT TT oe 'C ttm aw ”
‘se@8 Ala
im mw hams
7001/0 a= leita
San aa 7118 @ sin aun Ste B asia oa 60
Olle am wie on aie
ei
lit = ‘ten
78 Gis = All ‘tea
iti 7 '/
7
"ellie = sea ae Siti et Sieg
e
"~ 0900 @ Gee «* CIT Oe te”
reese
Ld ee ee
s60e = @ Oe te —
Als. - ees ee s oe
com Meee ae ‘ ow te ‘ce
ete a’ see ee #48 oO & 00
aw fre
; 4
. -
“sa
‘ on
AAA e+e we
AAA Ae
-
oF
' 2 as
ene s se
‘eae
, ‘? = ”
- F "ere fe * ‘18 ad
(OR OE BIR iM CA tim m thm ne 4 o " +m m@ shimaen
0G mtsene Cm me am we
7
Ce iwPaenrttia ae '* Om w@ +48 ae
+m mm 0G Ow «
"* @tim wm@i fan @e ee we ‘, L. ‘nee . f= | ae. 7 Ff 70 C11 me 606 be wee 718 O41 a +8 &
72 21th am wae ‘= SP 4th =m 248 ‘oS mweertiiae« ‘@ ‘*'me © 2 titan ed
‘Om ge atih «tt hime an 1” Me atime me ste
ae S @ tite , FEF SH 3i8: Brie
‘CIB: 8a tita «= +a e@ 7 tte = ten ' 1S Cltm @ tin ae en Me.
“ OG Cit@ am aerate ~ = te@ "mR site tn. oe =
* 7
tien wee Cd
wre
- a7 fF
7? =
awe ‘ a.
‘ta
if
hd ee | i
& ‘ome
ata ie ’ [le @@estia dn ee
7"? @ Situ "ae 7 site
od
‘ta '* = se
‘f
7a Heit ‘eS fF «= i... es = whan : ~ °*#e ana
7 tem we
8a ee - “ San ee
/ ee
(1M ime otem ‘@ atte
'*rreeaue “ie S28 8lte Sie ate
sf iia Sinn
A, Se? see
~~ & 7* -— = -@ lf,
vf ] = 72 #ice
ss Seale = ee te alt= S12 SP ee oe
Sita ate
elite Site
2
ie
ts ts
7 ~ §@8 ae 1.) =
7 tee sae ' §a ae
tte ‘t= Site
7 ole te ™ 888 se ~~ Ste se
>
even. 56/8 ’
> ; : a EAT ante rey / tif oy Hie , :
‘ , mn tae g
hs
mre
ow 5
5
i.
>
er pare Sh nt oot *. ow ay,
-
me
—_ .
~-
ae *
ie pe ee ~S - > “
-
~-
. es . . . i css te td * a
dit 398 “00.
wos © theme
— ~
F
FO en eee OO Sie
Te Ln yee. wha Sete ut
+ i i
if
ps + t Serrrtrist
$ HHH Tettistt 33335 FFtststtegits
Tt iit ttetittee
Hat +t + F33Ftt332 ah eabababiciccceeeee el, : 33345 sees +: t ttt HHn Pss33 Reaaaciii $sSt333333> 3333gs3thedtiet totseeest = esssaecess SSiiitt Seitieettt 333335 ssSsssSeiseeseess + ase Sette
+343 +t $344 ttt Fett +$tt tH44 ait +333 $443 $4t+ ttt iH + +
Seis erere
th oe pen a adnedeaaeadneaed
” Seaeed Seabedseaememed
x
tt peaeanassssaaasaiil
ae pememen ns
”
peabeeaesbasseceacazicciice, = + Sesesesseseessssesases: ttt pasasasaessaebesbescescicieces ese, $34 HiaeeneeaeessscsssssnsascssSascatceccecsstee eset eeeeeseateseees: beebaeabeeasiccccceecee: Seppeceacessssesssesstsesesssssesssssteesetesisetisiitietiy paeaeeeaseabasaaceceee eee
pebeesacacincse ce. = peenbabesacicinciic.
StF t+ HERI pabbeebbasccccccceee steel St test THA f Siesese stesssssssssessscascs, ¢ tHe setehests + TH Hae. ¢ $ t33 -. Fy + +4 FHPttHtte ttt
®@eeeaeas
*Seeeeen,
'¢eee6
S*eee0e6 S*eeneces
*Seeeceeeeas *8eeeeces eh. tt ee ee Seeeesecase
7e2ee6 bith ht 1) See Sen
*8eeeeteds ®@eeenees *8OGerascen
TT)?
“Tt ®8eeeeees Se eeeeces ®¢eee SUGeeaess pahhh Litt.
®eeeee6
. cnaegaene
Lt *8eeeees See eseesias
Seeceecasas
55555808535 $343 pases + i
FUE
“Uy 4, EL
HIAALIL LED,
“ BaeRgeeaeeece
metcaeae ee! 9966324 )00bR t
i. ene
seas ssooee: ; StH Sstttt
raeees SHH +t
SHH +37
SHH t3#
ttt Sa SS
SHIFTS +s SPS SHS SSH Att et
tt
PH
FEPSES FSIS PE ESEERE SLES IIIS IS FS PSPS I Pp FAA REALEEPLBLIEP SFIS FLES FS cane EASA SRE AEREA SES RLS SOLES FSPS PLE SRS ASAI AS RSF SPS ISIS ES ESOS OF OES . sa. ene aedesoaeaeneeaes FIPS ESS Fe Fe sebebeteboses
setesensncnoness Giokiohie sae : SI ee ee
a Se ee Penenencnen anes ao . Orem . -swwer~ sddipenbon ,
Pee
- <—-*
a eee
Labels / Tags for Jim Leftwich, Visual Poems, 2021 as of 11.18.2021
1800 1842 1862 1871 1924 1935 1947 1948 1950 1955 1964 1965 1967 1978 1980 1990 2021 Abraham Abulafia abstract abstrasemics aeolian poetics Aldous Huxley alembic Allen Ginsberg alphabet scars American haiku Andre Breton Anthropocene apophenia archaic revival architextures arrangements asemantic asemic asemic narration asemic writing asemimesa asemous asemous writing athanor bag text Barthes blotch blurs Bob Dylan camera captain beefheart catastrophe poetics Cezanne Charles Olson Cioran collage collage poem constellations crayon cropped cut-ups Dada delta blues Denise Levertov derangement desemantized desemantized handwriting desemantized writing destabilized handwriting dialectic dirty vispo Diter Rot dreams dripping ego poems Dubuffet ecdysiasemic ecosemics Emily Dickinson emprientes emptier signified energy everyday life everything else is you experiential found frenetic romanticism Gertrude Stein gestural gestural & letteral gestural photography gnosis handprints handwriting mutations handwriting variations Hannah Weiner holograph Howl improvisation improvisational improvisational epistemology improvisations against propaganda improvisatory improvised In Praise of Nonsense index cards inkblots intaglios Isidore Isou jack Kerouac Jackson Mac Low Jean Arp jim leftwich Jim Morrison John Hoffman Lascaux letteral Lettrist light sculpture lightwriting logophagia lunic panzemes magickal absurdities magickal contradictions magickal fallacies magickal non sequiturs map memories NCV neoasemic no commercial value oceanic poetics ongoing research ordinary mind organic form pansemic pareidolia participatory economics pensemic petroglyphs Philip Lamantia photograph pictographs play poem collage political poetry polysemic polysemous polysemous selflessness Post Croaker Norge post-alphabetical post-lettrist post-neoasemic doodling post-penmanship Post-Raphesemics post-staceal pre-alphabetical prepared pen psychic automatism puzzles are worse than stories quantum nonlocality quasi-calligraphic alphabet improvisations quasi-calligraphic drawing quasi-intentional quotidian mind Ralph Waldo Emerson raphesemic recombination reflections regardless of what you think Rimbaud roadsigns Robert Creeley schizmogenesis scraps scratchings scrawls scribblepoems scribbles sdvig semisemic lesssenseness senseless shadows Shakespeare shaky camera Six Gallery smears smudges smushes songs spirit writing splotch squiggles stamp dance stamps stencilworks sub-semic particles sub-semic writing subsemic surrealism syncretic tafonic tape transfer tear-ups textimagepoem that's not what they meant The October Revolution In Jazz The October Revolution In Poetry things rescued from eternal non-existence trashpo tzeruf otiyot useless writing varieties of asemous experience vernacular mind vispo visual poems visual poetry visual writing what makes you think so? wild form William Blake William Carlos Williams word sculptures wordmush Wordsworth writing against itself xyzemic zensemic zerufe otiot
TLPress Roanoke VA USA 2021